
The Room (shown here in its manifestation in Union Street,
Climate for Change Show ) is a reconstruction of an ‘ordinary’ domestic interior using mostly found materials from skips and waste disposal areas.


Fetishistic communion and craft techniques such as woodcarving, house painting and carpet fitting are utilized with the help of Toby Jugs animated within two hand carved T.V sets.

Household furnishings and domestic fittings are re-imagined in a clunky and slightly dysfunctional way but they reflect a mythologized time of making do and making the best of things as opposed to a throw away culture.
The work also questions class related aesthetic judgements about the value and power of ‘domestic monstrosities’.
The work aims to engage all the senses in an interplay of sight, sound and touch aided by two synchronised films.
The comfort of familiarity and the pleasures of discovering new potentials in the domestic environment are explored against a background of the social and economic realities of the dwelling.

If phenomena are seen to be part of a field of libidinous energy , the work can be seen as an attempt to make visible various potentials present in the structure and contents of a flat or house. The liberation and unfoldment of possibilities is enacted through familiar containers of domestic fantasy such as Toby Jugs, bashed skirting boards and the floral forests of net curtain.
The aim is also to discover and play with, the mix of physical and social forces which are normally seen as separate, for example; wood, sunlight, electricity, style, cultural and social associations .

Thus ideas about phenomena being interdependent articulations of different forces are explored. The domestic environment, animated with collective projection, could be seen as a counter weight to the commodification and pernicious speculative nature that surrounds the dwelling in our time. Although ‘homely’ images of the domestic are often used in a sentimental way in advertising, the work is an attempt to try to break into an uncensored, more truthful, relationship with these phenomena.

The value of playing with reality and entering into a different set of relationships with objects, which is beyond the utilitarian, is an attempt to rejuvenate the familiar, and create a basis for more objective judgements that take into account felt responses hopefully opening up possibilities for awareness of social interconnectedness by validification of a partly shared ‘inner space’.


"The house is an animal for living in." Lee Coblers